Post #8: Representation

After watching the movie, Old Boy, I have found there to be many instances to support the theme of monstrosity throughout the movie. Through the appearance of Oh-Dae-Su, he becomes increasingly disheveled and increasingly distraught throughout the movie, playing into the monstrosity theme. He is also being manipulated throughout the film and controlled, as he is imprisoned for fifteen years after being kidnapped on the street. He is driven insane throughout his tenure at the prison and tries to  find why and who put him in prison, playing into the theme of a monstrosity. Oh-Dae-Su questions how and why he was framed for the death of his wife, who was murdered during his time in prison. Oh-Dae-Su makes a plan to find his capturers and their motives after his sentence. Along the way, Oh-Dae-Su encounters a female, Mido, who we later find out, is also hypnotized. Together, they go to  different restaurants and hotspots to figure out what Oh-Dae-Su was captured. The discursive formation created is how we view the monstrosity differently. Oh-Dae-Su was sentenced to prison for  a crime he didn't commit and his goal was to figure out why he was committed. The discursive formation is different perspectives from Oh-Dae-Su point of view and different events that took place as well.

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